Friday, February 7, 2014

Luke Taylor- Decalogue (Blog Assignment #1)

Luke Taylor


The first Decalogue film we watched clearly represents the second commandment that states, “Thou shalt have no other gods before me.” Mariela Pelaia states in her article  About Judaism that there is a type of midrash known as Aggada (story). I would like to focus specifically on Aggada and explain the parallel to the film and its accordance to that of the golden calf story in Exodus. The gist of the story of the golden calf is that Moses’ people (the Israelites) turn their back on God and while Moses is on the mountain getting commandments from God, they worship a golden calf as their own god. Moses then comes back to the people as God is furious with them and wants to end the human race and start over.  However, Moses begs God to show mercy. In the film we see a similar concept. The father also worships a false idol, which is his computer. It is clear that the computer is his God because he constantly puts time into it, keeps it to himself in a selfish manner, and constantly puts its importance above everything else in his life. This false idol blinds him from truth in his life and his sole focus on it causes him to continuously miss the bigger picture. There is a distinct visual moment in the film where the father is playing in a chess match with his son against the reigning champion. The pure innocence of his son gives the son a unique wisdom that is unattainable for his father. The son tells his father to simplify the game with a ‘faithful’ move and he can win. The point he makes goes far beyond any chess match and speaks volumes of truth that the father cannot yet see; he sees it only as a winning tip for a chess match. Stanley Kubrick states that “by making their (their being the directors) points through the dramatic action of the story they gain the added power of allowing the audience to discover what is really going on rather than being told” which is exactly what happens after that scene. Instead of the film directly telling us, we as the audience are able to realize that the father is given this rare opportunity to see the truth yet it slips through his fingertips.  The realization I made is that it is this moment that transitions to the start of some sort of downfall. This relates to the golden calf story of the Israelites because they had Moses who shared truth with them right to their face but still chose to disobey God, which led to their downfall and punishment.  One can interpret the downfall to be inevitable because of the sad concept of worshipping false idols. The sense of meaning is greatly increased and the significance of that meaning is honoring the right God and not being fooled into the temptations of false idols. This emphasis on meaning is so great it has been integrated into the viewer’s lifestyle and mindset after watching the film. The director makes this meaning truly felt by the emotional appeal the viewer gains for the son. By making the son the one that is “sacrificed” for the father’s wrong doings of worshipping a false god, there is a lot more significance in the meaning because it tugs on the heartstrings of the viewers.

http://judaism.about.com/od/glossary/g/midrash.htm

I want to hear your thoughts on the son’s role in this film, what do you think it was? Also, the son is the one that died yet he was so innocent, do you see any parallel to the son dying to Jesus dying? The son did die and then the Father decided to possibly take God more serious, think about it.

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