Bunny
In “Bunny” there
are several uses of deep focus, making space seem abundant yet valuable. The
camera focuses on the oven, heightening the viewers experience of space. I
would say that just as an oven transforms food from one state to another, the
bunny was transferred from life to afterlife. The use of exposure with the
light in the oven, adds to the experience of life passing through death.
Northfolk
I thought the
image of the 3 cars separating and going off in 3 directions proved to be
powerful imagery. With the road shaped as a cross, the camera used an effective
angle of framing, by being positioned above the cars and in the sky. This
imagery created a feeling within me of grief mingled with hope.
Paris Texas
The opening
scene of Paris Texas was simple yet contained powerful imagery. Walking in the
desert, there is a man captured by a following shot. He is surrounded by
massive sand dunes and the vastness of the desert. In a few moments the camera
is right in front of him and the only thing in the shot is his head and a
massive rock far in the distance. This shot created a perception of this one
man existing in a huge world. As the film progresses, the viewer learns that
the man walking in the desert (Travis) is certainly intrigued by all forms of
communication including telephone lines, airplanes and even shoes.
Pink Floyd
The Pink Floyd
film “The Wall” is highly metaphorical and rich in symbolic imagery. There are
numerous shots of warfare represented by planes, guns and lots of blood. The
film definitely incorporates contrast and color in order to convey good and
evil. By using very ugly and demented characters, the film conveys education in
a negative way. The Trial scene is of Floyd hiding behind walls and eventually
being judged and exposed when the walls come crashing down.
Cabeza
de Vaca
In the very
beginning of the film there are multiple camera shots of a cross either
explicitly revealed or hidden. I believe this was to set a cohesive
narrative of the film’s journey through and perception of religion. Later in
the film there is a scene of modern man using the indigenous people as slaves
to construct a Cathedral. The scene is set up in such a way that the viewer
cannot help but notice the intrusion of religion and the confrontation of Spain’s
presence.
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